The emphasis of this selection of critical writings by Michael Fried is upon his work between and , the reasons he gives for this both explaining and, to a certain extent, justifying the compilation of this collection. He is keen, on the one hand, to distinguish his approach as an historian from that as a critic. Yet he regards the evolution of his critical work as, while avowedly judgmental, nonetheless central to the formation of his views on the nature of painting and spectatorship on which his subsequent historical work would be based. There he addresses head on what he describes as the oversimplifications and value judgements in his formalist criticism, namely his contention that there are certain problems intrinsic to painting, that formalist analysis is the only tool capable of making value judgements about art because of its power to objectify the subjective, and his support for a nonteleological dialectical theory of artistic progress. Thus Fried openly maintains that the republication of these essays is not an effort to justify them. If anything, their reappraisal in the introduction can be seen to criticize them.
Minimalism - Wikipedia
Robert Morris grew up in a suburban area of Kansas City. Early in life, he began reproducing comic strip images, a habit that helped him discover a talent for drawing. A flexible outlook at his elementary school allowed him to spend additional time honing his artistic skills. He also participated in a weekend enrichment program that encouraged the students to sketch artwork in the local Nelson Gallery now the Nelson Atkins Museum of Art and draw at the art studios of the Kansas City Art Institute.
Minimalism (visual arts)
Michael Martin Fried is a modernist art critic and art historian. He studied at Princeton University and Harvard. This volume contains. By no means, Fried conceives aesthetic communication as a bodiless transmission of content from one mind that of the artist to another the spectator. Visit our Beautiful Books page and find lovely books for kids, photography lovers and more.
Fried's contribution to art historical discourse involved the debate over the origins and development of modernism. Along with Fried, this debate's interlocutors include other theorists and critics such as Clement Greenberg , T. Clark , and Rosalind Krauss. Since the early s, he has also been close to philosopher Stanley Cavell.