November 1st, Voyeurism: Helping to Solve Murders Since Alfred Hitchcock has always been known for his suspenseful and action filled films. His production of the movie Rear Window is no contradiction to that. Throughout Rear Window, many different motifs and themes are splayed out for the audience to dwell upon. One well seen theme is voyeurism.
Rear Window Essay
Rear Window Summary | SuperSummary
Within the action and suspense of Rear Window, directed by Alfred Hitchcock, the theme of feminism is uncovered. Throughout Rear Window, Lisa Fremont, the female protagonist, is a symbol of feminism due to her character transformation. Alfred Hitchcock once defined his film Rear Window Hitchcock, , as the story of a man who cannot move and looks through a window, about what he sees and how he reacts to it Truffaut, In addition, Hitchcock constructs the character of the protagonist of the film, Jeff James Steward , not only by using cinematographic devices to show how Jeff interprets what he sees and his own life, but also stabilising a dichotomy between what he looks at and what he lives. At the beginning of the. Rear Window directed by Alfred Hitchcock is revered as one of the greatest movies in American Cinema; every shot and plot point in the story considered a work of art from the creative mind of the ambitious director. Due to this, it has been referenced many times in pop culture, TV shows, amongst other forms of media.
The Use of Optical P.O.V. Shots in Rear Window
Jeffries, a world traveling magazine photographer accustomed to living a fast pace active lifestyle. When Jefferies injures himself taking a risky picture he is immobilized, confined to a wheelchair inside his apartment for two months. Bored with his uneventful life he becomes completely obsessed with the lives of his neighbors spending the majority of his Alfred Hitchcock touched on many different themes of relationships between sexes that I have observed in both of the movies, Psycho and Rear Window.
This essay seeks to demonstrate not only that Rear Window is a clear example of auteur cinema but also that Alfred Hitchcock himself should be considered as an indisputable auteur. Firstly, it will define an auteur as a film director whose cinema is conceived as an art form that allows him to express his personal thoughts and views using exclusively cinematographic language. Kubrick begins to display his impressive command of camera movement in the opening minutes of Paths of Glory. Whilst watching a Hitchcock movie, we almost feel responsible when we see an act of violence being imposed on a character in an act of passion boiling over, as if the blade were in our own hand. There is an element of sadism in the cinematic technique of voyeurism.